Hello guys, I'll tell you all information about Vanice city in Italy and about tourism attraction in Venice.
1.       Venice
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Venice is a city in northeastern Italy and the capital of the Veneto region. It is sited on a group of 117 small islands that are separated by canals and linked by bridges.These are located in the marshy Venetian Lagoon which stretches along the shoreline, between the mouths of the Po and the Piave Rivers. Parts of Venice are renowned for the beauty of their settings, their architecture, and artwork. The lagoon and a part of the city are listed as a World Heritage Site.  The name is derived from the ancient Veneti people who inhabited the region by the 10th century BC. 
The Republic of Venice was a major maritime power during the Middle Ages and Renaissance, and a staging area for the Crusades and the Battle of Lepanto, as well as a very important center of commerce (especially silk, grain, and spice) and art in the 13th century up to the end of the 17th century. This made Venice a wealthy city throughout most of its history. It is also known for its several important artistic movements, especially the Renaissance period. After the Napoleonic Wars and the Congress of Vienna, the Republic was annexed by the Austrian Empire, until it became part of the Kingdom of Italy in 1866, following a referendum held as a result of the Third Italian War of Independence. Venice has played an important role in the history of symphonic and operatic music, and it is the birthplace of Antonio Vivaldi.
2.       Etymology          
The name of the city, deriving from Latin forms Venetia and Venetiae, is most likely taken from "Venetia et Histria", the Roman name of Regio X of Roman Italy, but applied to the coastal part of the region that remained under Roman Empire outside of Gothic, Lombard, and Frankish control. The name Venetia, however, derives from the Roman name for the people known as the Veneti, and called by the Greeks Eneti (Ἐνετοί). The meaning of the word is uncertain, although there are other Indo-European tribes with similar-sounding names, such as the Celtic Veneti, Baltic Veneti, and the Slavic Wends. Linguists suggest that the name is based on an Indo-European root *wen ("love"), so that *wenetoi would mean "beloved", "lovable", or "friendly". A connection with the Latin word venetus, meaning the color 'sea-blue', is also possible. Supposed connections of Venetia with the Latin verb venire (to come), such as Marin Sanudo's veni etiam ("Yet, I have come!"), the supposed cry of the first refugees to the Venetian lagoon from the mainland, or even with venia ("forgiveness") are fanciful. The alternative obsolete form is Vinegia [viˈnɛːdʒa];[7] (Venetian: Venèxia [veˈnɛzja]; Latin: Venetiae; Slovene: Benetke).
3.       History 

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Although no surviving historical records deal directly with the founding of Venice, tradition and the available evidence have led several historians to agree that the original population of Venice consisted of refugees from Roman cities near Venice such as Padua, Aquileia, Treviso, Altino and Concordia (modern Portogruaro) and from the undefended countryside, who were fleeing successive waves of Germanic and Hun invasions. Some late Roman sources reveal the existence of fishermen on the islands in the original marshy lagoons. They were referred to as incolae lacunae ("lagoon dwellers"). The traditional founding is identified with the dedication of the first church, that of San Giacomo on the islet of Rialto (Rivoalto, "High Shore") — said to have taken place at the stroke of noon on 25 March 421 (the Feast of the Annunciation). Beginning as early as AD 166 to 168, the Quadi and Marcomanni destroyed the main center in the area, the current Oderzo. The Roman defences were again overthrown in the early 5th century by the Visigoths and, some 50 years later, by the Huns led by Attila. The last and most enduring immigration into the north of the Italian peninsula, that of the Lombards in 568, left the Eastern Roman Empire a small strip of coast in the current Veneto, including Venice. The Roman/Byzantine territory was organized as the Exarchate of Ravenna, administered from that ancient port and overseen by a viceroy (the Exarch) appointed by the Emperor in Constantinople, but Ravenna and Venice were connected only by sea routes; and with the Venetians' isolated position came increasing autonomy. New ports were built, including those at Malamocco and Torcello in the Venetian lagoon.
The traditional first doge of Venice, Paolo Lucio Anafesto, was actually Exarch Paul, and his successor, Marcello Tegalliano, was Paul's magister militum (General: literally, "Master of Soldiers"). In 726 the soldiers and citizens of the Exarchate rose in a rebellion over the iconoclastic controversy at the urging of Pope Gregory II. The Exarch was murdered and many officials put to flight in the chaos. At about this time, the people of the lagoon elected their own leader for the first time, although the relationship of this to the uprisings is not clear. Ursus was the first of 117 "doges" (doge is the Venetian dialect development of the Latin dux ("leader"); the corresponding word in English is duke, in standard Italian duce.) Whatever his original views, Ursus supported Emperor Leo III's successful military expedition to recover Ravenna, sending both men and ships. In recognition of this, Venice was "granted numerous privileges and concessions" and Ursus, who had personally taken the field, was confirmed by Leo as dux[13] and given the added title of hypatus (Greek for "Consul".)
In 751 the Lombard King Aistulf conquered most of the Exarchate of Ravenna, leaving Venice a lonely and increasingly autonomous Byzantine outpost. During this period, the seat of the local Byzantine governor (the "duke/dux", later "doge"), was situated in Malamocco. Settlement on the islands in the lagoon probably increased with the Lombard conquest of other Byzantine territories, as refugees sought asylum there. In 775/6 the episcopal seat of Olivolo (San Pietro di Castello; Helipolis[citation needed]) was created. During the reign of duke Agnello Particiaco (811–827) the ducal seat moved from Malamocco to the highly protected Rialto, the current location of Venice. The monastery of St Zachary and the first ducal palace and basilica of St. Mark, as well as a walled defense (civitatis murus) between Olivolo and Rialto, were subsequently built here.
Charlemagne sought to subdue the city to his own rule. He ordered the Pope to expel the Venetians from the Pentapolis along the Adriatic coast,[15] and Charlemagne's own son Pepin of Italy, king of the Lombards under the authority of his father, embarked on a siege of Venice itself. This, however, proved a costly failure. The siege lasted six months, with Pepin's army ravaged by the diseases of the local swamps and eventually forced to withdraw (810). A few months later, Pepin himself died, apparently as a result of a disease contracted there. In the aftermath, an agreement between Charlemagne and the Byzantine Emperor Nicephorus in 814 recognized Venice as Byzantine territory and granted the city trading rights along the Adriatic coast. In 828 the new city's prestige increased with the acquisition of the claimed relics of St Mark the Evangelist from Alexandria, which were placed in the new basilica. (Winged lions, visible throughout Venice, symbolise St Mark.) The patriarchal seat also moved to Rialto. As the community continued to develop and as Byzantine power waned, its autonomy grew, leading to eventual independence.
4.       Expansion                                                                                                                                                 
Piazza San Marco in Venice, with St Mark's Campanile and Basilica in the background. These Horses of Saint Mark are a replica of the Triumphal Quadriga captured in Constantinople in 1204 and carried to Venice as a trophy. From the 9th to the 12th century, Venice developed into a city state (an Italian thalassocracy or Repubblica Marinara: the other three of these were Genoa, Pisa, and Amalfi). Its strategic position at the head of the Adriatic made Venetian naval and commercial power almost invulnerable.[citation needed] With the elimination of pirates along the Dalmatian coast, the city became a flourishing trade center between Western Europe and the rest of the world (especially the Byzantine Empire and Asia) with a naval power protecting sea routes from Islamic piracy.
Venice became an imperial power following the Fourth Crusade, which, having veered off course, culminated in 1204 by capturing and sacking Constantinople and establishing the Latin Empire. As a result of this conquest, considerable Byzantine plunder was brought back to Venice. This plunder included the gilt bronze horses from the Hippodrome of Constantinople, which were originally placed above the entrance to the cathedral of Venice, St Mark's Basilica, although the originals have been replaced with replicas and are now stored within the basilica. After the fall of Constantinople, the former Roman Empire was partitioned among the Latin crusaders and the Venetians. Venice subsequently carved out a sphere of influence in the Mediterranean known as the Duchy of the Archipelago, and captured Crete. The seizure of Constantinople proved as decisive a factor in ending the Byzantine Empire as the loss of the Anatolian themes after Manzikert. Although the Byzantines recovered control of the ravaged city a half-century later, the Byzantine Empire was terminally weakened, and existed as a ghost of its old self until Sultan Mehmet The Conqueror took the city in 1453.
5.       Geography       

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The whole pensolon (municipality) is divided into 6 boroughs. One of these (the historic city) is divided into six areas called sestieri: Cannaregio, San Polo, Dorsoduro (including the Giudecca and Isola Sacca Fisola), Santa Croce, San Marco (including San Giorgio Maggiore) and Castello (including San Pietro di Castello and Sant'Elena). Each sestiere was administered by a procurator and his staff. Nowadays each sestiere is a statistic and historical area without any degree of autonomy. The six fingers or flanges of the ferro on the bow of a gondola represent the six sestieri. The sestieri are divided into parishes – initially 70 in 1033, but reduced under Napoleon and now numbering just 38. These parishes predate the sestieri, which were created in about 1170. Other islands of the Venetian Lagoon do not form part of any of the sestieri, having historically enjoyed a considerable degree of autonomy. Each sestiere has its own house numbering system. Each house has a unique number in the district, from one to several thousand, generally numbered from one corner of the area to another, but not usually in a readily understandable manner.
6.       Economy            
Venice's economy has changed throughout history. In the Middle Ages and the Renaissance, Venice was a major center for commerce and trade, as it controlled a vast sea-empire, and became an extremely wealthy European city, a leader in political and economic affairs and a centre for trade and commerce. From the 11th century until the 15th century, pilgrimages to the Holy Land were offered in Venice. Other ports such as Genoa, Pisa, Marseille, Ancona and Dubrovnik were hardly able to make any competition to the well organized transportation of pilgrims from Venice. This all changed by the 17th century, when Venice's trade empire was taken over by other countries such as Portugal, and its naval importance was reduced. In the 18th century, then, it became a major agricultural and industrial exporter. The 18th century's biggest industrial complex was the Venice Arsenal, and the Italian Army still uses it today (even though some space has been used for major theatrical and cultural productions, and spaces for art). Today, Venice's economy is mainly based on tourism, shipbuilding (mainly done in the neighboring cities of Mestre and Porto Marghera), services, trade and industrial exports. Murano glass production in Murano and lace production in Burano are also highly important to the economy.
7.       Tourism   

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Venice is one of the most important tourist destinations in the world for its celebrated art and architecture. The city has an average of 50,000 tourists a day (2007 estimate). In 2006, it was the world's 28th most internationally visited city, with 2.927 million international arrivals that year. It is regarded as one of the world's most beautiful cities.
8.       Education           
Venice is a major international centre for higher education. The city hosts the Ca' Foscari University of Venice, founded in 1868 the IUAV University of Venice, founded in 1926 the Venice International University, an international research center, founded in 1995 and located on the island of San Servolo and the EIUC-European Inter-University Centre for Human Rights and Democratisation, located on the island of Lido di Venezia.Other Venetian institutions of higher education are: the "Accademia di Belle Arti" (Academy of Fine Arts), established in 1750, whose first Chairman was Giovanni Battista Piazzetta and the "Benedetto Marcello" Conservatory of Music, which, established in 1876 as High School and Musical Society, later (1915) became "Liceo Musicale" and finally (1940), when its Director was Gian Francesco Malipiero, State Conservatory of Music.
9.       Culture

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Typical masks worn during the Carnival of Venice. Cinema, media, and popular culture. See also: Venice in media. Venice has been the setting or chosen location of numerous films, games, works of literature, music videos, novels, poems, television shows, and other cultural references. In literature and adapted works. The city is a particularly popular setting for essays, novels, and other works of fictional or non-fictional literature. Examples of these include: Casanova's autobiographical History of My Life, Ben Jonson's Volpone (1605-6), Anne Rice's Cry to Heaven (1982), Shakespeare's Merchant of Venice (ca. 1596-1598) and Othello, Philippe Sollers' Watteau in Venice, and Voltaire's Candide. Additionally, Thomas Mann's novella, Death in Venice (1912), was the basis for Benjamin Britten's opera Death in Venice.
10.   In games             
The city is also the setting for such video games as Assassin's Creed II and Tomb Raider II and Assassin's Creed II.
11.   Architecture
      
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Venetian Gothic architecture, 8th International Architecture Exhibition, 9th International Architecture Exhibition, 10th International Architecture Exhibition, and 11th International Architecture Exhibition
12.   Music of Venice
See also: Venetian polychoral style, Music of Veneto, and Venetian School (music). The city of Venice in Italy has played an important role in the development of the music of Italy. The Venetian state – i.e., the medieval Maritime Republic of Venice – was often popularly called the "Republic of Music", and an anonymous Frenchman of the 17th century is said to have remarked that "In every home, someone is playing a musical instrument or singing. There is music everywhere. During the 16th century, Venice became one of the most important musical centers of Europe, marked by a characteristic style of composition (the Venetian school) and the development of the Venetian polychoral style under composers such as Adrian Willaert, who worked at St Mark's Basilica. Venice was the early center of music printing; Ottaviano Petrucci began publishing music almost as soon as this technology was available, and his publishing enterprise helped to attract composers from all over Europe, especially from France and Flanders. By the end of the century, Venice was famous for the splendor of its music, as exemplified in the "colossal style" of Andrea and Giovanni Gabrieli, which used multiple choruses and instrumental groups. Venice was also the home of many famous composers during the baroque period, such as Antonio Vivaldi, Ippolito Ciera, Giovanni Picchi, and Girolamo Dalla Casa, to name but a few.
13.   Interior design 

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It can be argued that Venice produced the best and most refined rococo designs. At the time, Venice was in trouble. It had lost most of its maritime power, was lagging behind its rivals in political importance, and society had become decadent, with nobles wasting their money in gambling and partying. But Venice remained Italy's fashion capital, and was a serious contender to Paris in terms of wealth, architecture, luxury, taste, sophistication, trade, decoration, style, and design. Venetian rococo was well known as rich and luxurious, with usually very extravagant designs. Unique Venetian furniture pieces included the divani da portego, and long rococo couches and pozzetti, objects meant to be placed against the wall. Bedrooms of rich Venetians were usually sumptuous and grand, with rich damask, velvet, and silk drapery and curtains, and beautifully carved rococo beds with statues of putti, flowers and angels. Venice was especially famous for its beautiful girandole mirrors, which remained among, if not the, finest in Europe. Chandeliers were usually very colourful, using Murano glass to make them look more vibrant and stand out from others, and precious stones and materials from abroad were used, since Venice still held a vast trade empire. Lacquer was very common, and many items of furniture were covered with it, the most famous being lacca povera (poor lacquer), in which allegories and images of social life were painted. Lacquerwork and Chinoiserie were particularly common in bureau cabinets.
14.   Fashion and shopping   
Luxury shops and boutiques along the Rialto Bridge. In the 14th century, many young Venetian men began wearing tight-fitting multicoloured hose, the designs on which indicated the Compagnie della Calza ("Trouser Club") to which they belonged. The Venetian Senate passed sumptuary laws, but these merely resulted in changes in fashion in order to circumvent the law. Dull garments were worn over colourful ones, which then were cut to show the hidden colours resulting in the wide spread of men's "slashed" fashions in the 15th century.nToday, Venice is a major fashion and shopping centre, not as important as Milan, Florence, and Rome, but on a par with Turin, Vicenza, Naples, and Genoa. Roberta di Camerino is the only major Italian fashion brand to be based in Venice. Founded in 1945, it is renowned for its innovative handbags featuring hardware[clarification needed] by Venetian artisans and often covered in locally woven velvet, and has been credited with creating the concept of the easily recognisable status bag. Many of the fashion boutiques and jewelry shops in the city are located on or near the Rialto Bridge and in the Piazza San Marco. There are Louis Vuitton and Ermenegildo Zegna flagship stores in the city. If shopping for venetian and Italian food specialties and wine you can head to Mascari or Casa del Parmigiano near Rialto and I Tre Mercanti flagship store near Piazza San Marco.
15.   Art and printing

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Venice, especially during the Middle Ages and the Renaissance and Baroque periods, was a major centre of art and developed a unique style known as the Venetian School. In the Middle Ages and the Renaissance, Venice, along with Florence and Rome, became one of the most important centres of art in Europe, and numerous wealthy Venetians became patrons of the arts. Venice at the time was a rich and prosperous Maritime Republic, which controlled a vast sea and trade empire. By the end of the 15th century, Venice had become the European capital of printing, being one of the first cities in Italy (after Subiaco and Rome) to have a printing press after those established in Germany, having 417 printers by 1500. The most important printing office was the Aldine Press of Aldus Manutius, which in 1499 printed the Hypnerotomachia Poliphili, considered the most beautiful book of the Renaissance, and established modern punctuation, the page format and italic type, and the first printed work of Aristotle.
In the 16th century, Venetian painting was developed through influences from the Paduan School and Antonello da Messina, who introduced the oil painting technique of the Van Eyck brothers. It is signified by a warm colour scale and a picturesque use of colour. Early masters were the Bellini and Vivarini families, followed by Giorgione and Titian, then Tintoretto and Veronese. In the early 16th century, there was rivalry in Venetian painting between the disegno and colorito techniques.
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